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letra de resurrection - l'fugitif

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jib kratos 7daya tchofo kaytleb l’peace
sir 3nd l’mkhyer f’jnon gollih rana howa ibliss
kansm3 ghi les cl-ssics : sme7li 3mi driss
ya m3ana ya m3ahom kh-ssek daba tekhtar
7it ja l’we9t bach n7et l’9wada f’deftar
finma kanzid ster kayzid sda3 r-ss yktar
ta chi ster matab3 li 9eblo 7it ana chwya schyzophrène
f’had l’blad ysmiwk kafer la glti f’blast amine, amen
fach kan’ksiri impossible que je freine
sir koun 9wad tban m9wd f‘3in li m9wda 3lih
t3ya ma ter tb9a ghi de7ka hna w lhih
wach nkdeb 3lik ? ma3ajbanich l’7ala w l’watan baghi nkhwih
3chiri ghbert bzzaf ta tw7cht l’micro
katfhem gha bl’kmaya ched klami diro f’nibro
7chiwcha, biha makayn fl’mghrib ta chi l3aybi pro
l7iss rah dl’klab w l’klab msakn fidèles
l’mssan li dl’9hab wach fhemti l’idée ?
wach mn nytek a sat ? 3ad badi w déjà vidé
dayr l’klamek videur w dayr fiha marrant
l’content explicit sir jib les parents
ma3ndich fer9 bin délinquant w patron
l’clash ymken yji mn be3d 7it daba ma msalich
sir goul l’hadak li 7a9ed 3lya ra ma3labalich
had nem ra gha stoun, machi bih7 ghan3ich
l’3ilm ra kanhezzo f’r-ss machi fl’cartable
kaber fl’khir l’hemdoullah, madayrch fiha expert comptable
sir ra da legend gallek ach dir bach tkber capable
jib lli kaykfer b’rap 7daya w khllih ghadi y’2amen
ghadi nwerrih 3lach l’art d’la street howa l’fen tamen
l’mghribi ki l’camelion koul nhar m3a wahd mtdamen
bnadm mabino w bin rap gha 2 stora kayrimiw
7sablo hadi l’mousi9a dyal « do re mi »
makaynch li 3ach la misère dyal saly w remy
rah kamlin liha, malak l’mout nhar kayji kayji saret sarout
ta mn l’undertaker la mat vrai may3awdch yt7el tabout
matjinich ghriba la sme3t l’myet mjouneb b’9wt li ch3b mkbout
ster li ma3jbnich fl’ktba kan’remplacéh
l’wer9a ki terrain, w stylo ki özil kayp-ssé
ay intrus gha zayd f’domaine ghadi nch-sséh

f’tactique m9wed, 9wed ga3 mn mourinho
fach kanbghi nd7ek kandir l’barlaman ntfrrej f’les guignols
ta wrre9 l’ghlid li baghi y3ared w howa tout mignon
kayde7koni fach kanchof te7t l’9ebba s-ssa
bnadm gha 3atiha l’brouda f’douk l’kr-ssa
w khona dayr fiha intéressé, kayswl wach fehmoh w l’ouma kamla na3sa
mrta7in mrta7in, 7etto lihom les fauteuils
fach kaysm3o gjami taygoullik fia l’orgeuil
3ndi 3lach, ra gha bou7di dye3t mizanya d’les feuilles
tana ra gha bnadm, kansme3 les conseils
fach kansme3 chi 7aja consciente, ça me fait penser
l’3alam tnak, ta mn stromae, mab9ach baghi ydansé
ch7al mn wahd 9leb l’kbot, w trcheg fih bla capote
3e9lya d’bnadm m9wda 3liha, sehr kaputt
mawslkomch l’message, hanya 9rib ntle3 tifo
ghatchoufoni dayz hareb w herban b’niveau
golhali n3awnek t9lleb bach tlga chi défaut
wakha tsme3ni fugitif 3ndak t7di mni, ra machi criminel
koun m3aya zwin, la mabghitich nsiftek l’azraël
w nkoun m3ak inoffensif…inoffensif t9riban b7al israël
matgoullich ndir rap n9i, la bghitih diro nta
wlla 7yed tekhssar l’hedra mn diaski b’chi fenta
nhar ngleb l’vista goullihom ra dnya 9riba tfna
ster mor ster makan7sbch stori
baghi nkh-lli wraya story nta katm7i l’historique
ghadi nb9a njikoum ki chi monstre horrible
kifach bghitini nkoun f’dmaghi 3adi ?
wach 3aref wlla la chno smyt bladi ?
ta tel3at lya l’ke3ya l’dmagh 3ad nedt nkhwi mdadi
ra ta l3ba maghatgad, koulchi ghadi bl’mgloub
jibk mt9oub ? dommage, ghay9wa l’7tib-ss l’7arari w ghadoub
makan7tarem ta chi règle, hada ra l’art libre
ch7al mn wahd kaydreb flla7i mam7dedch la cible
ness fl’mgharba mzagl lihom chi fusible
l’incohérence 3end bnadm très visible
l’gana ch7al w hya ghabra fach jat 7ettit disc
machi d’or, aslan maghanakhdoch 7it kanakhd risque
femi kh-sser, w ghayb9a kh-sser wakha ndir lih l‘misk

ta mal khona dakhelha mbw9 ? la, ra gha fat 3lih l’15
machi tobiss, l’3am, w b9a ytsenna ta l’2016
bach yjib l’9wada w yfrre9ha 3la had l’brahch
wakha ydir les échauffements ra manawich yl3eb l’match
hadchi gha chwya, mabaghich nkhl3 les adversaires
track mlyou7 nhar l’anniversaire
kan7tafl b’r-ssi, 7it lokhrin y3e9lo 3lya ghir la jani l’cancer
2 7wayj 3emri ghanselle7hom : l’meth w l’math
ma3ndich m3a l7ssab wakha kanbghi nkoun exact
seul f’9nti, kankteb bzzaf w machi f’chat
bghiti trbe7, 7el chi bank, goullihom mafihch riba, w fte7 lihoum séba9
ykter 3lik l7dit ywelliw 3lik les débats
twlli 3ndek nouba, ta ysaliw 3ad y3i9o bli mchaw b’9welba
ch7al mn wahd kaygleb 3lik ila dar chi quad neuf
nhar y7tajek yji 3ndek « salut, cv ? koi 29 ? »
3emri ghanmchi kima bghaw b7al zghba d’titeuf
floussek bsseha, rak 3arf fin tzidhom
nhar tjini l’gana 3la chi w7din gha ndir lihom 3idhom
ta ra bzzaf li baghyen ybousso ydin sidhom
kayde7koni malin swagg w trap
fl’clipat 9ba7, f’zen9a mayhezzo ta frappe
makayfer9och bin l’art w l’cr-p
kan7ess b’déception fach kansm3 track mafih ta rima
f’blast la matière grise ch7al mn wahd 3ndo sima
makanbghich ndye3 we9ti 7it zayd 3la li mdy3o fl‘9ima
3a9el 3la r-ssi baghi nrappé mn dima
ch7al mn texte ktebto w nsito fl’9imatr
la mredti bya dreb dwira 3nd chi pédiatre
ama ana ghansettik wakha nbanlik psychiatre
maghangolch lik li bghiti tsme3, maghanl3ebch m3ak théâtre
3mrek t9arn track dyali b‘akhor
kan7ess b’r-ssi fakhor
w mazal ta ma bdit f’les métaph-r-s
3ndi chi rhymat kh-sshom ytsifto ll’espace f’sarokh
ch7al mn wahd ghaysme3 diski ghaydokh
la chi nhar bghiti tl3bni m3a dwla, matl3bnich x l3ebni dos (2)
7it la dert fiha r-ssi ghanfre3ha wakha dakhel 3ndha ghi host
w ghay3e9lo 3lya w ygoulo hada l’ « ex y-ghost »
heh… fat we9t l’y-ghost daba ja l’fugitif
ch7al w ana b7al chi volcan inactif
w daba jit w jayb révolution auditive

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