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letra de 300 iq jazz - the buzz

it’s something like that
[laughter]
what. it’s started, and why you playing ted you-
[guitar strum]
oh my god look [unintelligible]
guys i’ve started record-
[drums]
you won’t be able to hear the piano!
[laughter]
yeah, yeah we’ve got three different-
fred you’ve gotta do like-you’ve gotta drum it softly
you guys recording this?
yeah-
no. cus [unintelligible]
i’ve already started recording
yeah, yeah, yeah, ted stop playing, you’re not [unintelligible] yet
so, recording, offical-offical version, start now, woo!
[drums, followed by a piano]
oh, sh-t!
[instruments continue]
ooohh!
[instruments continue, now accompanied by various unintelligble words]
[the ali-a intro theme is sung acapella two and a half times while a guitar is added into the instrumental chaos]
oh…
fred, you wanna say somеthing?
eehh…

aaaaaaallll the peeopllleeee
so maaanyyy peeeopllee
and they allll goooo
‘and in ‘and
‘and in ‘and through thеir
sh-te liiife
in the middle of our house
our house
in the middle of our house
our house
in the middle of our house
our house
uhh…
[the instrumental “fades” into just the piano and then silence]
our house
[drums return]
in the middle of our house
our house
in the middle of our house
[guitar comes back in]
our house
in the middle of our house
our house
in the middle of our house
our house
in the middle of our-
west philadelphia born and raised
on the playground was where i spent most of my days
chillin’ out maxin’ relaxin’ all cool
and all shootin some b-ball outside of the school
when a couple of guys who were up to no good
started making trouble in my neighborhood
i got in one little fight and my mom got scared
she said ‘you’re movin’ with your auntie and uncle in bel air’
mm, skibi baba ba [unintelligible]
skibidabap
the name is the sack
they call me the sack
i’m [unintellgible]
uh…
uh…i go very fast
your brother is fat
yo, lit
push, fit
oh, uh…
ted, belongs, in a bed
yeah, fred]
one, two, three, fred
when i’m by myself
[unintelligible]
[the instruments calm to silence]
that was cr-p, that was cr-p
that was cr-p
[guitar returns once more with a drum beat]
[a harmonica shows up]
they call me m-sack
‘cus i am really fat
i’m going really really fast
really really really really fast
they call me m-sack
your mum’s so fat
she, mcdonalds, twice
eat spice
our house
in the middle of our house
our house
in the middle of our house
our house
in the middle-
aaaaaaallll the peeopllleeee
so maaanyyy peeeopllee
and they allll goooo
‘and in ‘and
aggggghhhhhhhhhh
sh-te liiiiiiife
i get up when i want
except on wednesdays when i get rudely awakened by the dustmen
ted, shut up
[instrumental slows]
and stop
[instrumental ends]
our house, interlude
i come for the p-ssy man
p-ssy man, where do you come from
come for the p-ssy man, p-ssy man, p-ssy man, p-ssy man, p-ssy man, where you gonna run tooooooo
like a watermelone
eat the p-ssy like a watermelone
[cowboy bebop ost shows up]
uh, like a watermelone
yeah, [unintelligible]
eat the p-ssy like a watermelone
ted, don’t come in until fred comes in
here come old flat top, he come groovin’ up slowly
he got ju-ju eyeb-lls, he’s one holy roller
he got hair down to his knees
he’s got to be a joker, he just do what he please
[piano and drums become dominant]
you’re an odd fellow but you steam a good ham
number nine
number nine
number nine
alright, number one
that was a pretty good song gu-
one, two, three, beat!
i’m still recording j-
okay, alright done
pleasure working with ya
[unintelligible]
that does not sound like a sitar [unintelligible]
alright
max, [unintelligible]
you guys can, uh, continue doing that, i’m gonna leave and have lunch now
yep
yeah
see ya
guys, max-
oh my god, there’s only, like, 15 minutes left of lunch, anyway
right

- the buzz

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