letra de the angelic path to fame - knolagee
–title: “the angelic path to fame”–
–act 1: the journey begins–
-scene 1: knolagee’s departure-
– knolagee boards a greyhound bus from atlanta to hollywood, meeting angelic beings who offer guidance
-scene 2: transformation through music and art-
– knolagee’s journey is both physical and spiritual as his music and art dreams take shape
-scene 3: arrival in north hollywood-
– in north hollywood, he meets mia, a street artist, and begins a vibrant creative journey
–act 2: pursuit of dreams–
-scene 4: unwavering will-
– knolagee perseveres, despite creative struggles in music and intеrior design
-scene 5: divinе inspiration-
– angelic beings continue guiding him in moments of self-doubt
-scene 6: the art and music event-
– he partic-p-tes in an art and music event, making meaningful connections
-scene 7: a studio of innovation-
– knolagee explores the capabilities of an innovative daw software
-scene 8: the fada organization-
– he establishes fada, a support organization for fathers
–act 3: celebrities and a pivotal meeting–
-scene 9: a night of r&b romance-
– knolagee’s journey takes a romantic turn as he meets drake and melisande, the angel of love and romance
-scene 10: a gathering of influences-
– knolagee gathers influential characters, leading to collaboration
-scene 11: a chance encounter-
– he encounters future at a nightclub, and their humorous conversation is unforgettable
-scene 12: the limousine call-
– jay z expresses interest in knolagee’s fada organization
-scene 13: the pimptascular limousine-
– an angelic limousine driver takes knolagee to meet jay z
-scene 14: the meeting with jay z-
– jay z agrees to become an angel investor for fada
–act 4: collaboration and success (to be continued…)–
-scene 15: knolagee’s artistic journey continues as he collaborates with drake and jay z.-
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this summarizes the story we’ve developed. if you’d like to proceed with further details, specific scenes, or character dialogues, please let me know, and we can continue from there
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